Color science and generative workflows, engineered for production.

Day for Night LoRA

Day for night is a technique where scenes are shot in daylight, then processed to look like night footage. Productions use it to avoid the cost, safety risk, and scheduling problems of real night shoots, especially with child actors, restrictive permits, and stunt or crowd work.

The catch: sunlit shadows, daytime sky brightness, uncontrolled highlights, atmospheric haze, and color all read as daytime, and no existing process convincingly removes them. Modern high-dynamic-range sensors make this harder, not easier.

Building the training data

We shot a series of aligned day and night video pairs to build our own training data, then trained multiple LoRAs on it.

Testing the results

We applied the trained LoRAs to footage the models had never seen, to test how well the results held up.

SDR to HDR conversion

Use an SDR-to-HDR fine-tuned model to add missing details in shots' highlights.

Colorization

Trained a LoRA to learn how to colorize black-and-white images.